Britney Spears Oops i Did It Again Remix
Oops!... I Did It Again | ||||
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Studio album by Britney Spears | ||||
Released | May 16, 2000 (2000-05-sixteen) | |||
Recorded | 1999–2000 | |||
Studio |
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Genre |
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Length | 44:37 | |||
Characterization | Jive | |||
Producer |
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Britney Spears chronology | ||||
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Singles from Oops!... I Did It Over again | ||||
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Oops!... I Did It Over again is the 2nd studio album past American singer Britney Spears released on May 16, 2000, through Jive Records. Though much in the vein of her debut album ...Baby One More Fourth dimension (1999), it is a pop, dance-popular, and teen popular record, the album incorporates a more funkier and R&B sounds.[1] Contributions to the album's production came from a wide range of producers, including Max Martin, Rami Yacoub, Per Magnusson, David Kreuger, Kristian Lundin, Jake Schulze, Darkchild, and Robert John "Mutt" Lange.[two]
Upon its release, Oops!... I Did It Once again received positive reviews from music critics, who praised its production, sonic quality and Spears' vocal performance. The album became a massive commercial success, debuting at number one in over 15 countries while peaking inside the height ten in various others. In the United States, it debuted at number 1 on the Billboard 200, with first-calendar week sales of 1.39 meg copies, becoming the fastest selling anthology by a female person artist since Nielsen SoundScan began tracking point-of-sale music purchases in 1991.[3] This record was broken fifteen years later past Adele'due south 25, which sold over 3.38 million copies in its first week of release.[four]It became Spears' second sequent album to exist certified Diamond by the Recording Industry Association of America, denoting sales of over ten million copies in the United States, making Spears at age eighteen the youngest artist to have multiple diamond albums.[5] With worldwide sales of over xx 1000000 copies,[6] Oops!... I Did It Again is one of the best-selling albums of all-time.
Four singles were released to promote the anthology. Its title track was commercially successful in a number of territories, reaching number one in xv countries and peaking at number nine on the Usa Billboard Hot 100. Its second single, "Lucky", peaked at number one in Austria, Deutschland, Sweden and Switzerland, within the top ten in Australia, Belgium, Canada, Denmark, Ireland, Italy, the Netherlands, New Zealand, Norway, Poland, Romania and the United Kingdom, and at number twenty-three on the US Billboard Hot 100. Its third single, "Stronger", reached the summit x in Austria, Finland, Germany, Poland, Romania, Sweden, Switzerland and the United Kingdom, and peaked at number eleven on the The states Billboard Hot 100. "Stronger" became the highest-selling single off the album, receiving a Gold certification in Australia, Denmark, Frg, New Zealand, Sweden, and the United States. Its terminal single, "Don't Let Me Be the Last to Know", was moderately successful on the charts, peaking at number ane in Romania, and inside the top x in Austria, Poland, and Switzerland, but failed to chart on the US Billboard Hot 100. To promote the album, Spears performed on several television set shows and accolade ceremonies, including a controversial performance at the 2000 MTV Video Music Awards. She too was the host and musical invitee for the first time on Sabbatum Night Live. Furthermore, Spears embarked on a concert tour, entitled the Oops!... I Did It Again Tour, starting on June 20, 2000 and ending at the Rock in Rio festival on January 18, 2001.
Recording and production [edit]
"When I did the offset album, I had only turned 16. I mean, when I look at the album cover, I'm like, 'Oh, my lordy.' I know this adjacent album'south going to be totally different--peculiarly the material. I just got finished recording the first six tracks in Sweden two months ago, and the material is and so much more funkier and edgier. And, of course, it's more mature because I've grown as a person too."
—Spears on the progression of her material for the album.[vii]
Afterward vacationing for six days following the completion of the ...Infant One More Time Bout in September 1999,[8] Spears returned to New York City to begin recording songs for her next album; the majority of the recording took place in November. It featured contributions from Max Martin, Eric Foster White, Diane Warren, Robert Lange, Steve Lunt, and Babyface.[9] The songs "Oops!... I Did It Again", "Walk on By" (later covered past Gareth Gates), "What U Run into (Is What U Get)", and "Don't Go Knockin' on My Door" were the first to be recorded at Martin'southward Cheiron Studios in the first week of Nov; followed by "Stronger" and "Lucky", which were finalized (along with the title runway) in January 2000. Spears recorded "Don't Let Me Be the Last to Know" at Robert Lange's villa in Switzerland in December 1999; Lange produced the song.[10] "Where Are You lot Now" was an outtake from ...Baby One More Time. "Daughter in the Mirror" and "Can't Make Y'all Dear Me"'due south instrumental runway and tune were recorded in the fall of 1999 in Sweden, with Spears recording the vocals in mid-January at Parc Studios in Orlando, Florida.[xi] [12] Spears returned to New York, linking up with producer Steve Lunt to record Diane Warren's "When Your Eyes Say It" at Battery Studios on Friday, January 28, 2000, which preceded her TRL appearance that day. "One Buss from You" was also recorded at Battery Studios merely was subsequently finished at third Floor in New York City. Spears besides recorded the last track for the album "Honey Diary" which would subsequently be completed at East Bay Recording in Tarrytown, New York and at Avatar Studios in New York City. Some other song recorded during these sessions was "Heart". Her cover of "(I Tin't Get No) Satisfaction" was recorded with Rodney Jerkins at Pacifique Recording Studios in Hollywood, California during February 24–26, 2000 subsequently attending the 42nd Annual Grammy Awards.[13]
By January, the and then-untitled album was halfway to completion; Spears had worked on information technology primarily in the Usa and Sweden, and finalized material in New York City.[ix] She was heavily pressured subsequently ...Baby One More Time 's huge commercial success, stating: "Information technology's kind of hard following ten million, I have to say. But afterward listening to the new cloth and recording information technology, I'g really confident with information technology."[fourteen] Upon the release of Oops!...I Did It Again, Spears said: "I mean, of form there's some pressure level", and added: "Only in my opinion, [Oops!] is a lot better than the start anthology. It's edgier – it has more than of an attitude. It'south more me, and I think teenagers will relate to it more." Geoff Mayfield, director of Billboard charts, added that the decision to release Oops!... I Did It Again less than a yr and a one-half afterward Spears' debut amounts to "very smart timing. My philosophy is when you have a young fan base, get 'em while they're hot."[15]
Music and lyrics [edit]
Oops!... I Did It Once again was considered as a sequel to Spears' debut album, ...Baby I More Time (1999),[one] percolating with a carefully measured blend of familiar pop, funk, R&B and power balladry.[16] Spears said during an interview that the album has a more mature, R&B-flavored pop audio. "It'due south not something I changed purposefully", Spears said of the album's sound and added: "It's only something that kind of changed on itself with me being older. My phonation has changed a trivial flake and I'm more confident, and I recollect that comes beyond on the material."[7] One of its producers, Rodney "Darkchild" Jerkins talked about working with Spears on a Rolling Stones encompass, stating: "It'south going to shock everybody", calculation: "Information technology has flavors of the original, but it'south a straight 2000 version — new to the ear. Which I recall is cool, considering people who appreciate that song are going to love it. And I made information technology so new and young that the young kids that love Britney are going to dear it. It's going to grab both a mature and immature audience."[17] Spears worked with Robert "Mutt" Lange on "Don't Let Me Be the Last to Know", telling MTV News: "When you hear the vocal, it'south so pure and fragile. Information technology'southward just one of those songs that pull you in", and added: "I call up they wrote it 'specially for me, considering the lyrics of the song, if you really heed … they're more than of what I can relate to, 'cause they're kind of young lyrics, I recall. I don't think Shania would probably sing some of the words that I'm proverb."[17]
The title track and opening song, "Oops!... I Did It Again", was compared to her debut unmarried, "...Baby One More Time" (1998), featuring a slap-and-pop bassline, synthesizer chord stabs and a mechanized beat. Lyrically, the song sees Spears warning to an overeager prospective lover: "Oops, you think I'one thousand in love/That I'k sent from higher up — I'm non that innocent."[18] The vocal likewise breaks down for a spoken-discussion interlude, involving a line from the film Titanic (1997).[eighteen] The second track "Stronger" is a synthpop[19] and R&B-infused track,[17] which is lyrically a declaration of independence, where Spears leaves a partner who treats her like property.[xx] The line "my loneliness ain't killing me no more" makes reference to the verse "my loneliness is killing me" from her vocal "...Infant One More Time".[17] Another R&B-infused track, which also adds a fleck more funk to the mix,[17] "Don't Go Knocking on My Door" finds Spears confidently forging ahead later a breakup.[twenty] The fourth track, a embrace of the Rolling Stones' "(I Can't Get No) Satisfaction", begins with mushy guitar plucking and breathy coos, until a dry, crackling lockstep is thrown down, turning the song into an urban stomp.[21] The dance-popular version also jettisons the vocal'south final verse and adds some new lyrics[17] ("how white my shirts could exist" becomes "how tight my brim should be").[22] "[It] was my thought [to record the song]", Spears said. "I was just like, 'I similar this song,' and I think it will be a really absurd combination working with [hip-hop producer] Rodney [Jerkins] and doing a really funky song like that."[13] The fifth track, "Don't Let Me Be the Last to Know", was co-written by country-pop vocalizer-songwriter Shania Twain and her then-husband, producer Robert "Mutt" Lange, who besides produced the track.[17] The ballad, which boasts a slinky keyboard riff and Lange's characteristically lavish product, finds Spears allowing a scrap of country twang into her vocals as she begs a lover to reveal his feelings: "My friends say y'all're into me ... but I demand to hear it directly from yous", she sings.[17]
The sixth track "What U See (Is What U Get)" demands respect by rebuking a jealous partner,[20] while the seventh rail, "Lucky", is a heart-rending tale of a Hollywood starlet'south loneliness, proving that fame tin can be empty.[20] "If there'due south nothing missing in my life/Then why do these tears come up at night?", she asks.[19] "School shell" is the theme of "One Osculation from You",[20] a rail that has a reggae-style crush and lyrics most the feelings of falling in beloved, and the quickness of information technology,[23] with Spears cooing that after only i kiss she sees her entire hereafter with her lover.[24] The ballad "Where Are You Now" talks almost wanting to know where a previous beloved is, and what that person is upward to, and then that she can finally let them go and find closure.[ commendation needed ] Lines on "Can't Make You Love Me", a Europop song,[21] state that fancy cars and money pale in comparison to truthful dearest,[20] with Spears singing: "I'm just a daughter with a crush on you."[21] The mid-tempo, synth-backed "When Your Eyes Say It", written past songwriter Diane Warren, combines a cord section with a loping hip hop shell,[17] while Spears makes her own songwriting debut on the modest, keyboard-driven ballad "Dear Diary", which she said is autobiographical. On the track, she sings of wanting to get "so much more than friends" with a boy.[17]
Release and promotion [edit]
In belatedly 1999, Spears promoted her upcoming album in Europe with live performances of her by songs. She appeared on Smash Hits in the United Kingdom.[25] In Italy, she did a short interview on the tv set show TRL Italy in early 2000.[25] and gave a surprise operation in Paris in May 2000.[26] In Australia, Spears appeared on The Business firm of Hits and Russell Gilbert Live on May 13.[25] In Spain, she gave an interview with El Rayo on September 8 and October 24.[25] Spears performed at large venues in the United kingdom, including Birmingham, the Wembley Arena in London, and the Manchester Evening News Arena. She was accompanied by NSYNC, who toured with her during a short United Kingdom outing in October 2000.[26]
Oops!... I Did It Once again was offset released in Japan on May three, 2000, and was later released in the U.s. on May 16. In the The states, Spears appeared on Saturday Dark Live on May thirteen, The Rosie O'Donnell Testify on May 15, and Teen People's 25 Under 25 on May 26.[27] On May 10, she was interviewed on Late Night with Conan O'Brien.[25] On May 13, Spears was both the host and musical invitee on NBC's Saturday Night Live. She too performed on NBC's The This evening Bear witness with Jay Leno on May 23.[28] Spears' held her mail service-TRL listening party, "Britney's First Mind", on May 16, and was toast the arrival of her album on next Tuesday'south installment of TRL that started at iii:30 p.m. (ET).[29] On May 14, she was at Times Square studios for 2 hours of "Britney Live" that started at noon.[29] Spears performed "Oops!... I Did It Over again" on MTV's All Access: Backstage with Britney that was broadcast on July xix, 2000.[25] On September 7, at the 2000 MTV Video Music Awards in New York City at the Radio City Music Hall, Spears gave a memorable alive performance.[30] which included a comprehend of the Rolling Stones'south hitting unmarried "(I Can't Go No) Satisfaction" (1965) and her ain striking "Oops!... I Did It Again", released earlier that year. While she began her segment in a black conform, she shocked the audience and the media while, at merely the age of eighteen, ripped information technology off to display a revealing, flesh-colored stage outfit with hundreds of strategically placed Swarovski crystals.[31] 1 month earlier the release of the album, Spears headed to Hawaii on Easter Dominicus and then she could tape a Fox tv special titled Britney Spears in Hawaii. The free concert was held on the beach in front of the Hilton Hawaiian Village lagoon in Honolulu, Hawaii.[32] The Fox concert upshot was intended to serve as a preview of Spears' Oops!... I Did Information technology Again album that features her twelve new songs.[32] Spears had on a month-long international promotional tour in support of Oops!... I Did It Again, and on May 2, she had a press event at Kokusai Forum Hall in Tokyo, and made stops in both London and Hawaii.[33] Spears was too among the scheduled performers on the 42nd Annual Grammy Awards, which aired on CBS at eight p.yard. (ET/PT).[34] She was also expected to appear on a Grammy-day TRL.[34]
The album's supporting tour, the Oops!... I Did It Over again Bout, visited N America, Europe, and Brazil as part of Rock in Rio. On the Crazy 2k Tour, Spears introduced the songs "Oops!... I Did It Over again" and "Don't Let Me Be the Last to Know". On June 24, 2000, Spears was featured in a impress and tv set advertising entrada for Clairol's Herbal Essences shampoo line. In a special coup for Clairol, Spears recorded her own song for the brand called "I've Got the Urge to Herbal" that was featured in 60-second radio spots and was part of a pre-concert video presentation for Spears'due south fifty-city summer concert bout, in which Herbal Essences was the tour sponsor.
Singles [edit]
"Oops!... I Did It Again" was released as the lead single from the album and achieved worldwide popularity. Information technology became Spears's third top-ten hitting single on the United states of america Billboard Hot 100, peaking at number nine; nonetheless, in comparing to the huge success of her debut single "...Baby One More than Time", Jive Records considered "Oops!... I Did It Again" a pocket-sized disappointment.[36] The song peaked at number one on the US Mainstream Top 40,[37] holding the record for the near radio additions in 1 solar day. "Oops!... I Did It Again" peaked atop the charts in Australia, Kingdom of belgium, Canada, Italy, kingdom of the netherlands, New Zealand, Norway, Poland, Romania, Spain, Sweden, Switzerland and the United Kingdom.[38] An accompanying music video for "Oops!... I Did Information technology Again" saw Spears on Mars in now-iconic red shiny catsuit, while she is visited past an American astronaut who easily her the fictional Eye of the Ocean jewel which Rose threw into the sea at the stop of Titanic.[39]
The anthology'south second single, "Lucky", was released on July 25, 2000 and received positive response from the music critics, who considered 1 of her best offerings from the album. Commercially, "Lucky" topped the charts in Austria, Germany, Sweden and Switzerland, while reaching number 5 on the UK Singles Chart.[40] In the United States, "Lucky" only managed to peak at number twenty-three on the Billboard Hot 100 chart and at number nine on the Mainstream Top 40.[36] The "glittery" music video sees Spears equally the narrator and an extra named Lucky, who is a melancholy movie star and shows her conflicted relationship to fame.[41]
The third single, "Stronger", was released on Oct 31, 2000 and became the album's 2nd highest-charting single in the United States, peaking at number 11 on the Billboard Hot 100 and number one on the Hot Single Sales.[36] It reached number seven on the Britain Singles Nautical chart.[42] Its music video sees Spears catching her young man cheating on her at a futuristic turntable nightclub, driving off, getting in a wreck and singing in the rain,[41] while the chair sequence in the video was inspired by Janet Jackson's video for "The Pleasance Principle".[43]
The fourth and final single, "Don't Let Me Be the Final to Know", was released on March 12, 2001 and is one of Spears' favorite tracks of her career. In the United states of america, the song performed well below expectations, failing to nautical chart on the Billboard Hot 100 nor the Mainstream Top 40. However, the vocal attained success in Europe, topping the Romanian Elevation 100 and peaking inside the top ten in Republic of austria, Poland and Switzerland, while just missing the elevation ten in Germany, Ireland, Sweden and the United Kingdom, peaking at number twelve in all of them.[44] The music video was considered too racy at the time, portraying Spears in dear scenes with her fictional boyfriend, played by French model Brice Durand.[45]
"You lot Got It All" received a promotional release in France in May 2000. A promotional CD unmarried for "When Your Eyes Say It" was released in the United Kingdom in January 2001.[ citation needed ]
Critical reception [edit]
Aggregate scores | |
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Source | Rating |
Metacritic | 72/100[47] |
Review scores | |
Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
Billboard | favorable[16] |
Christgau'due south Consumer Guide | ![]() |
Amusement Weekly | B[21] |
Los Angeles Daily News | ![]() ![]() ![]() ![]() |
MTV Asia | viii/10[50] |
NME | viii/x[xix] |
Rolling Stone | ![]() ![]() ![]() ![]() ![]() |
Salon | favorable[51] |
Sonic.internet | ![]() ![]() ![]() ![]() ![]() |
Oops!... I Did It Again received favorable reviews from music critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, Oops!... I Did Information technology Over again received an average score of 72, based on 12 reviews, indicating "mostly favorable reviews".[53] Giving the album four out of five stars, Stephen Thomas Erlewine of AllMusic noted that the album "has the aforementioned combination of sweetly sentimental ballads and endearingly gaudy dance-pop that fabricated 'Ane More Time'," but remarked that, "Fortunately, she and her production team non but have a stronger overall fix of songs this fourth dimension, simply they also occasionally get carried away with the aforementioned bewildering magpie aesthetic, [...] giv[ing] the album character apart from the well-crafted dance-pop and ballads that serve equally its centre. In the end, it's what makes this an entertaining, satisfying heed."[1] Billboard magazine wrote that "'Oops!...' indicates that she's developing a soulful border and emotional depth that can't exist conjured with a glass-shattering notation," praising the album for consistently cast[ing] Spears as a young woman coming to terms with her inner ability—and that's a darn good message to offering an impressionable audition."[16] Entertainment Weekly's David Browne gave the anthology a B-rating, writing that the album "reminds u.s. again that the best new pop can be a boom of cool air in a stifling room."[21]
Rob Sheffield of Rolling Stone gave the album a iii-and-a-half out of v stars rating, calling the album "fantastic pop cheese, with much better song-manufactory hooks than 'Due north Sync or BSB get", besides noting that "the great thing most Oops!, under the cheese surface, is complex, fierce and downright scary, making her a true child of rock & whorl tradition."[22] A writer of NME reported that "she's modern-mean solar day pop perfection realised in a nearly, human grade", commenting that "she'south done it again."[19] Lennat Mak of MTV Asia named information technology "a brilliant second album", writing that Spears "is armed with a more than mature and seasoned pop star look, stronger and poppier songs, and of form, extensive media exposure."[50] Andy Battaglia of Salon called the album "a masterpiece of sorts not for its message but for the fashion it applies the conventions of the pop-musical medium."[51] Website The A.V. Club was more than mixed, calling it "a joyless chip of redundant, obvious, competent cheese, recycling itself at every turn and soliciting songwriting from such soulless hacks as Diane Warren and assorted Swedes."[54]
Accolades [edit]
Commercial operation [edit]
In the United States, Oops!... I Did It Again reportedly sold 500,000 copies in its first day of release.[sixty] It debuted at number one on the Billboard 200 chart, with first-calendar week sales of one,319,193 copies.[61] [62] [63] With its success, Spears held the record for the highest first-week sales by a female person artist.[64] This tape was held for 15 years, but to exist surpassed in November 2015 by the anthology 25 by Adele, which sold over 3.38 1000000 albums in the The states in its first week.[iv] The album savage to number two in its second week, with additional sales of 612,000 copies.[65] It held this position for xv consecutive weeks.[66] [67] By its fifth week of availability, Oops!... I Did Information technology Again had sold over 3 million copies and had passed five meg copies by August.[68] On its seventeenth week on the chart,[69] it was certified septuple Platinum by the Recording Industry Association of America (RIAA) for shipments of 7 one thousand thousand units.[70] [71] The album spent fourscore-four weeks on the Billboard 200, thirty-ane weeks on the Canadian Albums Chart, and ii weeks on the U.s. Catalog Albums.[72] Oops!... I Did It Again debuted at number eighty-two on the European Top 100 Albums, and quickly peaked at number one;[73] it sold over four 1000000 copies within the continent, being certified four-times Platinum by the International Federation of the Phonographic Industry.[74] Oops!... I Did It Once again reached number ii on the UK Albums Chart,[38] selling 88,000 copies in the first week of release; it remained in the top 5 for four weeks. The album debuted at number one in Canada, selling 95,275 copies in its first week.[75]
It topped the French Albums Chart[76] and the High german Offizielle Top 100, also being certified triple Platinum past the British Phonographic Industry (BPI),[77] double Gold past the Syndicat National de l'Édition Phonographique (SNEP)[78] and triple Platinum past Bundesverband Musikindustrie (BVMI),[79] denoting shipments to retailers of 900,000 units, 200,000 copies sold and 900,000 units shipped, respectively. Additionally, the album debuted at number two on the Australian Albums Chart, and spent ten weeks in the tiptop twenty;[eighty] it became the fourteenth highest-selling of 2000 in the country and was certified double Platinum by the Australian Recording Industry Association (ARIA) the following twelvemonth after aircraft 140,000 copies to retailers.[81] [82] Oops!... I Did It Again opened at number iii on the New Zealand Albums Chart and was certified Gold later only ane week on the nautical chart.[83] The Recording Manufacture Association of New Zealand (RIANZ) ultimately certified it double Platinum.[84] Oops!... I Did It Again became the third acknowledged album of 2000 in the U.s.a., selling seven,893,544 albums according to Nielsen SoundScan[85] and fourth best-selling album co-ordinate to Billboard Twelvemonth-End of 2000.[86] On Jan 24, 2005, the album was certified decuple Platinum (Diamond) by the Recording Industry Association of America (RIAA).[87] [88] Also, the album landed at number twenty-seven on BMG Music Social club all-fourth dimension best-sellers list with ane.21 1000000 units, behind Shania Twain's The Adult female in Me (1.24 one thousand thousand) and Nirvana's Nevermind (one.24 million).[89] As of July 2009, the album has sold 9,184,000 copies in the United States, excluded copies sold through clubs, such equally the BMG Music Service.[xc] Worldwide, Oops!... I Did It Again sold two.five million copies in its first calendar week (second highest commencement week sales past a female artist worldwide) and sold fifteen million copies by the end of the year. It was the best-selling female person album and 3rd best selling anthology of 2000. The album has sold 20 million copies worldwide.[six]
Controversy [edit]
Musicians Michael Cottril and Lawrence Wnukowski filed a copyright case against Spears, Zomba Recording Corporation, Jive Records, Wright Entertainment Group and BMG Music Publishing, challenge Spears' "What U See (Is What U Get)" and "Can't Make You Love Me" are "about identical" to ane of their songs. Cottrill and Wnukowski claimed that they authored, recorded and copyrighted a song called "What You See Is What You lot Get" in 1999 to one of Spears' representatives for consideration on a future album, though information technology was rejected.[91] The example was later dismissed after it was ruled that they lacked sufficient prove and that in that location "weren't plenty similarities betwixt the two songs to prove copyright infringement."[92]
Track listing [edit]
No. | Title | Writer(south) | Producer(due south) | Length |
---|---|---|---|---|
one. | "Oops!... I Did Information technology Again" |
|
| 3:31 |
2. | "Stronger" |
|
| 3:23 |
3. | "Don't Become Knockin' on My Door" |
|
| iii:43 |
4. | "(I Tin't Get No) Satisfaction" |
| Rodney Jerkins | 4:23 |
5. | "Don't Let Me Be the Terminal to Know" |
| Lange | 3:l |
6. | "What U Encounter (Is What U Get)" |
|
| 3:36 |
vii. | "Lucky" |
|
| iii:26 |
8. | "One Kiss from You" | Steve Lunt |
| iii:23 |
ix. | "Where Are Y'all Now" |
|
| iv:39 |
x. | "Can't Make You lot Love Me" |
|
| iii:17 |
eleven. | "When Your Eyes Say It" | Diane Warren |
| iv:29 |
12. | "Dear Diary" |
|
| 2:46 |
Full length: | 44:37 |
No. | Title | Writer(s) | Producer(s) | Length |
---|---|---|---|---|
12. | "Girl in the Mirror" | Elofsson |
| 4:06 |
13. | "Dear Diary" |
|
| 2:46 |
Total length: | 48:24 |
No. | Title | Writer(s) | Producer(southward) | Length |
---|---|---|---|---|
11. | "When Your Eyes Say It" | Warren |
| 4:06 |
12. | "Girl in the Mirror" | Elofsson |
| 3:36 |
13. | "You Got It All" | Rupert Holmes | Eric Foster White | iv:43 |
14. | "Dear Diary" |
|
| 2:46 |
Total length: | 52:33 |
No. | Championship | Writer(s) | Producer(s) | Length |
---|---|---|---|---|
11. | "When Your Optics Say Information technology" | Warren |
| four:06 |
12. | "Girl in the Mirror" | Elofsson |
| 3:36 |
13. | "Yous Got Information technology All" | Holmes | White | 4:10 |
fourteen. | "Heart" |
|
| 3:31 |
15. | "Dear Diary" |
|
| two:46 |
Total length: | 55:34 |
No. | Title | Length |
---|---|---|
1. | "Don't Let Me Be the Concluding to Know" (Anthology version) | 3:50 |
2. | "Don't Let Me Be the Final to Know" (Hex Hector Radio Mix) | 4:01 |
3. | "Don't Let Me Be the Last to Know" (Hex Hector Club Mix) | 10:12 |
4. | "Stronger" (MacQuayle Mix Show Edit) | 5:21 |
5. | "Stronger" (Pablo La Rosa's Tranceformation) | 7:21 |
half dozen. | "Oops!... I Did Information technology Again" (Music video) | 4:11 |
seven. | "Lucky" (Music video) | 4:07 |
eight. | "Stronger" (Music video) | 3:37 |
9. | "Don't Let Me Be the Last to Know" (Music video) | 3:51 |
Total length: | 30:52 |
No. | Title | Length |
---|---|---|
i. | "Oops!... I Did It Again" (Music video) | 4:20 |
2. | "Lucky" (Music video) | 4:14 |
3. | "Stronger" (Music video) | three:47 |
4. | "Oops!... I Did It Over again" (Karaoke) | 4:17 |
5. | "Lucky" (Karaoke) | 4:eighteen |
6. | "Stronger" (Karaoke) | 3:46 |
Total length: | 25:25 |
Notes
- Track 4, "(I Can't Become No) Satisfaction" is a cover of the 1965 Rolling Stones single.
- ^a signifies a vocal producer
Personnel [edit]
Credits adapted from AllMusic.[100]
- Britney Spears – vocals, groundwork vocals, spoken words, concept
- Steve Lunt - A&R, composer, producer, cord arrangements
- Jeanne LeBlanc – cello
- Jesse Levy – cello
- Kermit Moore – cello
- Eugene J. Moye – cello
- Harvey Mason, Sr. – editing
- Bobby Brown – banana engineer
- Flip Osman – assistant engineer
- Clayton Wood – assistant engineer
- Anthony Ruotolo – assistant engineer
- Alfred Bosco – assistant engineer
- Shane Stoneback – assistant engineer
- Charles McCrorey – engineer, banana engineer
- Michel Gallone – engineer, mixing engineer
- Chris Trevett – engineer, vocal engineer, mixing engineer
- Eric Gast – engineer
- Tim Donovan – engineer
- Harvey Mason, Jr. – engineer
- Dan Gellert – engineer
- John Amatiello – engineer
- Stephen George – mixing engineer
- Dexter Simmons – mixing engineer
- Chris Tergesen – string engineer
- Michael Tucker – song engineer
- Jackie Spud – art direction, design
- Mark Seliger – back cover, comprehend photograph
- Larry "Rock" Campbell – bass, guitar, producer, drum programming
- Marji Danilow, Judith Sugarman, Thomas Lindberg – bass
- Esbjörn Öhrwall – guitar
- Johan Carlberg – guitar
- Michael Thompson – guitar
- Kali – hair stylist
- Gloria Agostini – harp
- Max Martin – keyboards, programming, producer, mixing engineer, spoken word
- Robert "Esmail" Jazayeri – keyboards, producer, drum programming
- Per Magnusson – keyboards, programming, producer, mixing engineer
- Jake – keyboards, programming, producer, mixing engineer
- Kristian Lundin – keyboards, programming, producer, mixing engineer
- Rami – keyboards, programming, producer, mixing engineer
- David Kreuger – keyboards, programming, producer, mixing engineer
- Kent Wood – keyboards
- Elan Bongiorno – brand-up
- Johnny Wright – direction
- Tom Coyne – mastering
- Nigel Green – mixing
- Jon Ragel – photography
- Barry Eastmond – piano, usher, keyboards, producer, engineer, orchestral arrangements
- Rodney Jerkins – producer, engineer, song system, mixing engineer
- Robert John – producer
- Timmy Allen – producer
- Richard Meyer aka Swayd – programming
- Cory Churko – programming
- Kevin Churko – programming
- William Meade – string coordinator
- Hayley Hill – stylist
- Alfred V. Brown – viola, orchestra contractor
- Julien Barber – viola
- Olivia Koppell – viola
- Harry Zaratzian – viola
- Maxine Roach – viola
- Stephanie Baer – viola
- Richard Henrickson – violin, concertmaster
- Sanford Allen – violin
- Belinda Whitney-Barratt – violin
- Sandra Billingslea – violin
- Winterton Garvey – violin
- Gerald Tarack – violin
- Joyce Hammann – violin
- Stanley Hunte – violin
- Regis Iandiorio – violin
- Gene Orloff – violin
- Marion Pinhiero – violin
- Marti Sweet – violin
- Amahid Ajemian – violin
- Xin Zhao – violin
- Margaret Magill – violin
- Ashley Horne – violin
- Nikki Gregoroff – background vocals
- Audrey Martells – background vocals
- Nana Hedin – background vocals
- Darryl Anthony – groundwork vocals
- Nora Payne – background vocals
- Jeanette Söderholm – groundwork vocals
- Therese Ancker – groundwork vocals
- Charlotte Björkman – background vocals
- Andres Von Hofsten – groundwork vocals
- Nina Woodford – background vocals
- Mona Yacoub – background vocals
- Jeanette Olsson – background vocals
- Stephanie Baer – background vocals
Charts [edit]
Weekly charts [edit]
| Year-cease charts [edit]
Decade-cease charts [edit]
All-time charts [edit]
|
Certifications and sales [edit]
Release history [edit]
See as well [edit]
- List of acknowledged albums
- Listing of acknowledged albums by women
- List of all-time-selling albums in the U.s.
- List of fastest-selling albums
Notes [edit]
- ^ As of Dec 2010, Oops!...I Did It Once again has sold 9,201,000 copies in the United States according to Nielsen SoundScan,[186] with additional i,210,000 copies sold at BMG Music Clubs.[89] Nielsen SoundScan does not count copies sold through clubs like the BMG Music Service, which were significantly popular in the 1990s.[90]
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{{cite AV media notes}}
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{{cite AV media notes}}
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{{cite AV media notes}}
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{{cite AV media notes}}
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{{cite AV media notes}}
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- ^ "British album certifications – Britney Spears – Oops!... I Did It Once more". British Phonographic Industry. Select albums in the Format field.Select Platinum in the Certification field.Type Oops!... I Did It Again in the "Search BPI Awards" field and and then press Enter.
- ^ Trust, Gary (May 27, 2012). "Ask Billboard: Spears, Lovato'southward '10'-cellent Sales". Billboard . Retrieved April 14, 2022.
- ^ "American album certifications – Britney Spears – Oops". Recording Industry Association of America.
- ^ "Premios – 2000" (in Spanish). Cámara Uruguaya del Disco.
- ^ "IFPI Platinum Europe Awards – 2001". International Federation of the Phonographic Industry.
- ^ Amazon.co.jp: ブリトニー・スピアーズ, クリスチャン・ランディン, ダイアン・ウォーレン, ジョーゲン・エロフソン, ルパート・ホルメス, ジョージ・テレン, ジェイソン・ブルーム, マックス・マーティン, ラミ, ミック・ジャガー, シャナイア・トゥエイン : ウップス!アイ・ディド・イット・アゲイン - ミュージック
- ^ Oops!...I Did It Again - Britney Spears: Amazon.de: Musik
- ^ Oops .. I Did Information technology Again!: Britney Spears: Amazon.ca: Music
- ^ Britney Spears, Britney Spears - Oops!... I Did It Again - Amazon
- ^ "Oops!... I Did It Again (Special U.k. Edition)". AllMusic. Oct ix, 2000. Retrieved Baronial 31, 2021.
- ^ "Oops!... I Did It Once again [Japan 2001 Bonus Tracks]". AllMusic. February 13, 2001. Retrieved August 31, 2021.
- ^ "Oops!...I Did It Again Australia Special Edition w/Bonus Disc of Remixes And Videos". Tape Runner United states . Retrieved August 31, 2021.
- ^ "Britney Spears – Oops!...I Did It Once more Limited LP". Urban Outfitters . Retrieved March 31, 2019.
- ^ "Britney Spears – Oops!...I Did It Again Express LP". Urban Outfitters . Retrieved March 31, 2019.
- ^ "Britney Spears – Oops!...I Did It Again Limited Cassette". Urban Outfitters . Retrieved March 31, 2019.
- ^ "Britney Spears – Oops!...I Did Information technology Once more 20th anniversary edition motion picture vinyl". BritneySpears. Archived from the original on May 25, 2020. Retrieved March 31, 2019.
Bibliography [edit]
- Salaverri, Fernando (2005). Sólo éxitos. Año a año. 1959-2002 [But Hits. Year by yr. 1959-2002] (in Spanish). Madrid, Spain: Iberautor Promociones Culturales. p. 943. ISBN9788480486392.
External links [edit]
- Official website
Source: https://en.wikipedia.org/wiki/Oops!..._I_Did_It_Again_(album)
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